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HELNWEIN ART SHOP |
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| > | THE HELNWEIN ART STORE | |
| The official online Art Store of Helnwein Studio Ireland. Limited Edition Prints Books and Catalogues Posters |
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GALLERIES |
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| > | FRIEDMAN BENDA Gallery, New York | |
| FRIEDMANN BENDA, NEW YORK Ai Weiwei, Zhang Huan, John Chamberlain, Frank Stella, Gottfried Helnwein and others Address 515 W 26th St New York (Chelsea) NY, 10001 United States phone 212-239-8700 fax 212-239-8760 gallery@friedmanbenda.com www.friedmanbenda.com |
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| > | MODERNISM Gallery, San Francisco | |
| MODERNISM GALLERY, SAN FRANCISCO Robert Crumb, Gary Baseman, Alex Katz, David Hockney, Kazimir Malevich, Gottfried Helnwein and others 685 Market St., Suite 290 San Francisco, CA 94105 phone (415) 541-0461 fax (415) 541-0425 info@modernisminc.com www.modernisminc.com |
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| > | GALERIA HILARIO GALGUERA, Mexico | |
| GALERIA HILARIO GALGUERA, MEXICO Damien Hirst, Daniel Buren, Jannis Kounellis, Gottfried Helnwein and others. Francisco Pimentel 3 Colonia San Rafael 06470, Cuauhtemoc Mexico City, Mexico phone +52 (55) 5546 6703 +52 (55) 5546 9001 info@galeriahilariogalguera.com www.galeriahilariogalguera.com . Galería Hilario Galguera - Berlin (Büro) Skalitzerstraße 54-B Kreuzberg, Berlin Deutschland, 10997 sanguino@galeriahilariogalguera.com |
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| > | COLLECTORS Contemporary, Singapore | |
| COLLECTORS CONTEMPORARY PTE LTD, SINGAPORE Francis Bacon, John Baldessari, Daniel Buren, Anish Kapoor, Andy Warhol, Gottfried Helnwein and others 5 Jalan Kilang Barat #01-03 Petro Centre Singapore 159349 phone +65 6878 0103 f +65 6878 0041 info@collectors.com.sg www.collectors.com.sg |
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| > | Gallery House, Toronto | |
| GALLERY HOUSE, TORONTO Ray Caesar, Anita Kunz, Brian Richer, Gottfried Helnwein and others 2068 Dundas Street West Toronto, Canada M6R 1W9 phone 416 587 0057 info@galleryhouse.ca www.galleryhouse.ca |
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SOCIAL NETWORK WEBSITES |
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| > | Helnwein on Facebook | |
| > | Facebook - Die Stille der Unschuld - Der Künstler Gottfried Helnwein | |
| > | Facebook - Aktivity | |
| > | SAATCHI ONLINE | |
| > | tumblr.com | |
| > | twitter.com | |
| > | gottfriedhelnwein.wordpress.com | |
| > | myspace.com | |
| > | gottfriedhelnwein.deviantart.com | |
| > | flickr.com | |
| Helnwein Studio's photostream | ||
| > | view.stern.de | |
| Studio Helnwein | ||
| > | Facebook - group | |
MUSEUMS |
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| > | Fine Arts Museums of San Francisco | |
| The Child: Works by Gottfried Helnwein 31 July 2004 —28 November 2004 Internationally known Austrian artist Gottfried Helnwein will have his first one-man museum exhibition in the United States, opening at the Legion of Honor in the summer of 2004. The exhibition, The Child: Works by Gottfried Helnwein features a major theme that has appeared in his work over the last 35 years. For Helnwein, the child is the symbol of innocence, but also innocence betrayed. In today’s world, the malevolent forces of war, poverty, sexual exploitation, and the numbing predatory influence of modern media assault the virtue of children. Helnwein, who grew up in Austria in the somber atmosphere of a defeated country in the years following World War II, has an emotional tie to children who have been robbed of experiencing childhood without trauma. |
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| > | The Art of Gottfried Helnwein, by Robert Flynn Johnson, Fine Arts Museums of San Francisco | |
| The art of Gottfried Helnwein cannot be properly considered without surveying the terrain of modern and contemporary art from which it developed. To understand Helnwein is not just to see what movements and artists he embraced and was influenced by, but also what he rejected. For Helnwein, creativity is not a vocation but a mission. His art is the visual equivalent of a contact sport. It not only has put Helnwein at odds with much of the history of post-war art, but also has positioned him in the forefront of the highly regarded confrontationalist movements of contemporary art so active in America and Europe today. | ||
| > | San Francisco Fine Arts Museums, The Child - works by Gottfried Helnwein | |
| Summary of reviews and texts: The Child- ゴットフリード・ヘルンウｪイン（Gottfried Helnwein） Adults bring a trunkful of contradictory cultural baggage to any representations of children. That's what makes the work of Helnwein so powerful. In his show, "The Child," at the Legion of Honor, deformed infants and bandaged children stir feelings of pity, defiance and uneasiness about exploitation. There's an ambiguously disturbing painting of a girl aiming a gun into an open refrigerator and another of a bare-breasted mother and child surrounded by Aryan soldiers. But the most haunting images may be the ones of children who seem strangely oblivious to the adult gaze. Some of Helnwein's children peer right past the onlooker. Others sleep, dreaming of anything but us behind their silky eyelids. And some, like the enormous, half- shadowed "Head of a Child" at the Legion, see straight through us with cloudless, infinite blue eyes. Steven Winn, San Francisco Chronicle, 17. November 2004 . California Palace of the Legion of Honor, Fine Arts Museums of San Francisco. さてさて。旅行記めいたものを書きますと長くなり、途中でやめてしまうことが多いので、今回の旅行の中で印象に残った点を、つらつらと書いてみたいと思います。 ゴットフリード・ヘルンウｪイン（Gottfried Helnwein）。この片仮名表記で合ってるかどうかわかりませんが。オーストリア人アーティストです。現在のコンテンポラリーでは、彼の作品展「The Child」が開催されていました。 |
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| > | Lentos Museum of Modern Art, Linz | |
| Gottfried Helnwein: Face It 10. März - 5. Juni 2006 Im großen Ausstellungssaal des Lentos Museums wird im Frühjahr 2006 eine umfassende Werkschau von Gottfried Helnwein präsentiert. Das Lentos organisiert damit die erste museale Schau des Künstlers in Österreich, seit er sein Geburtsland - Helnwein ist 1948 in Wien geboren - Mitte der 1980er Jahre verlassen hat. Nach Jahren in Deutschland ist Helnwein heute in Los Angeles und in Irland ansässig. |
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| > | "FACE IT" Gottfried Helnwein, one man show - Lentos Museum of Modern Art Linz, | |
| Stella Rollig PRESENCE AND TIME: GOTTFRIED HELNWEIN'S PICTURES "In memory of the children of Europe who have to die of cold and hunger this Xmas", was written on the draft of a poster in the winter of 1945 by the Austrian painter Oskar Kokoschka who emigrated to London. He had 5000 copies printed at his own cost and posted in underground stations. In late autumn 1988 the Austrian painter Gottfried Helnwein, who emigrated to the Rhineland, mounted a series of five meter high photo prints with children's faces along a one hundred meter long wall between the cathedral of Cologne and the Museum Ludwig. He called the work Selection (Ninth November Night). It is a work of monstrous expression and painful effect. His title recalls the anniversary of the so-called Reichskristallnacht, through which Helnwein gives the children's portraits their almost overwhelmingly harrowing effect. As we were preparing his exhibition for the Lentos Art Museum together with Gottfried Helnwein, I was researching at the same time for a different project about Kokoschka. The story of the London posters was new to me. Unintentionally and unexpectedly the two artist lives blended into one another for a brief poignant moment. With a tremendous creative effort, ability to communicate, organizational experience, implementation energy and financial resources, both artists devoted themselves on a specific occasion to an appeal: Remember! |
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| > | FACE IT - Lentos Museum of Modern Art, Linz - The exhibition reviews | |
| Konsequent und virtuos. Technische Meisterschaft und auch die Konsequenz einer packenden sozialkritischen Thematik offenbaren sich in dieser Ausstellung: Gewalt, Schmerz, Verletzung werden dargestellt. Den Körper ebenso wie die Psyche betreffend. Helnwein dokumentiert hier in Linz einen künstlerischen Reifegrad, der eine weitere Steigerung kaum vorstellbar macht. Seine Eingriffe sind von einer schmerzhaften Unmittelbarkeit, deren emotionale Energie weit über die großen Bildformate hinaus den Raum und sein Publikum ergreift. (Irene Judmayer - Oberösterreichische Nachrichten) | ||
| > | Ludwig Museum Schloss OberhausenGottfried Helnwein – Beautiful Children | |
| Vom 19. Juni bis 2. Oktober 2005 zeigte die Ludwig Galerie Schloss Oberhausen mit den Kinderbildern das zentrale Thema des umstrittenen Künstlers. Und auch mit dieser Ausstellung überschritt Helnwein erneut Grenzen und polarisierte, indem er das Kind nicht als unschuldiges und liebenswertes, sondern als verletztes, entblößtes, gedemütigtes und misshandeltes Wesen darstellt. | ||
| > | Mädchen in Uniform, Gottfried Helnweins neue Bilder im Museum Ludwig | |
| Frankfurter Alklgemeine Zeitung Andreas Platthaus Feuilleton 14. September 2005 |
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| > | "Beautiful Children", Ludwig Museum Schloss Oberhausen | |
| "Der Zwielichtbildner" by Svenja Klaucke Die mit bedeutendsten Exponate der Schau: große, brillant bearbeitete Fotografien der Serie »Angels Slee-ping« (1999). Seltsam anrührende Bilder von missgebildeten, totgeborenen Kindern. Die verwachsenen Geschöpfe taucht Helnwein in große Schönheit. Geradezu eine Neuerfindung des Magischen Realismus: Föten in Formaldehyd, aus dem Anatomisch-Pathologischen Museum Wien, gescheiterte Hoffnung auf Leben - diese winzigen, runzligen Wesen schwimmen nun wie Alien-Menschlein im grünlichen Leuchten eines science-fiktionalen Andachtsbildes. Jedes gine eigene kleine Persönlichkeit, stille Geschöpfe aus einer anderen Welt, unendlich fern, ungeheuer nah. Ein unbegreifliches Wunder. Das des Lebens, eingefangen in Totgeburten. »Beautiful Children« ist eine einzigartige Gelegenheit, dem Mischtechniken-Magier Helnwein zu folgen in seine schrecklichschönen Twilight-Zones. |
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| > | Ludwig Museum Schloss Oberhausen - Gottfried Helnwein - Beautiful Children | |
| Das zentrale Thema der 100 zumeist großformatigen Bilder Helnweins ist das Kind – nicht als unschuldiges und liebenswertes, sondern als verletztes, entblößtes und, gedemütigtes und mißhandeltes Wesen. Monumental zeigen sie Kindergesichter mit ernstem Blick. Das Entsetzliche wird nicht gezeigt, es spielt sich im Kopf des Betrachters ab. Helnwein zerstört die lieb gewordenen Klischees von der glücklichen Kindheit und macht den Betrachter zum Augenzeugen, |
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| > | The Helnwein Retrospective, the State Russian Museum, St. Petersburg, 1997 | |
| Alexander Borovsky Curator for Contemporary Art at the State Russian Museum, St. Petersburg THE HELNWEIN PASSION I'll never forget the sensation I had at the unveiling of Gottfried Helnwein's "Kindskopf" in the Russian Museum. And not just because this enormous canvas (six metres in height, four in breadth), well-known from reproductions, seemed to operate in a whole new way in the real, quasi-monumental space of the museum's "Concrete Hall", originally intended for the demonstration of gigantic sculptural compositions. I realised that I was looking at the inner content of this innovative picture from a whole new point of view. |
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| > | Musée de l'Elysée, Lausanne | |
| I admire the work of Gottfried Helnwein a great deal. This photographic testimony encourages reflection and provokes the examination of conscience, which is necessary for every one of us where racism is concerned. The laceration of the portraits is proof of the fact that we cannot be indifferent to the warning of the "final solution". I consider myself lucky to be able to exhibit this gallery of memories in its present form in Lausanne. There are also a number of photographers from the East to be found there, in the name of the new emerging Europe, now that totalitarianism is being forced back. The childrens' faces are to remind us that innumerable victims were needed during the past sixty years to get out of "the Night and the Fog." Charles-Henri Favrod Director Musée de l'Elysée Lausanne Museé de l'Elysée, Lausanne, 22.6. - 30.8.1990 |
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| > | The Subversive Power of Art, by Klaus Honnef, Rheinisches Landesmuseum, Germany | |
| Helnwein Monograph, The State Russian Museum, St. Petersburg, Text by Klaus Honnef Curator for Contemporary Art at Rheinisches Landesmuseum, Bonn Helnwein - A Concept Artist before the Turn of the Millennium. Is it sheer coincidence that Gottfried Helnwein, the Austrian artist, created a portrait of both the German and the American? Coincidence, that he captured Warhol as a disturbing spectre on photograph, but painted Beuys? And that he then photographed the painted portrait of Beuys in the hands of Arno Breker, Adolf Hitler's favourite sculptor? There are weighty reasons for considering Helnwein the legitimate heir to Beuys and Warhol. |
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| > | Selektion, Ninth of November Night, 1988 Installation at Museum Ludwig, Cologne | |
| It was to our good fortune that Gottfried Helnwein also strove to break away from the museum and gallery sector in order to communicate with a larger public. This appeared on a grand scale on the site between the cathedral and Museum Ludwig, and at a time of "photokina", with its hundreds of thousands of visitors. The 100 metre picture wall did not fail to hit its mark: it induced bewilderment as well as aggressiveness. After a few days numerous pictures had been slashed, one even stolen. Gottfried Helnwein saw the exhibition as a process which would continue and be reflected in later presentations. The pictures were not renewed, but patched up, so that this reminder of the persecution of Jewish people would bear the traces of a lack of insight and understanding in the present day. | ||
| > | "Angels Sleeping", Gottfried Helnwein retrospective - Galerie Rudolfinum, Prague, 2008 | |
| The exhibition Angels Sleeping is a thematic cross-section, predominantly of the painting work of the Austrian artist Gottfried Helnwein (born in Vienna in 1948). The five sections of the exhibition present the fundamental circuits of Helnwein’s work. | ||
| > | Arizona State University Art Museum | |
| THE OTHER MAINSTREAM: This is a selection of dynamic works from the collection of Mikki and Stanley Weithorn, demonstrating their commitment to social and political issues and artists of color. Although their collecting focuses on the contemporary, both well-known and emerging artists, selected historic pieces show the breadth of their interest and the roots of socially conscious work in the early 20th century. January 22 through April 23, 2005 |
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| > | The Darker Side of Playland: Childhood Imagery from the Logan Collection | |
| September 1, 2000 - January 2, 2001 Third in a series of presentations from the Kent and Vicki Logan Collection of contemporary art, this exhibition focuses on works that depict toys, cartoon characters and childhood fantasies observed from a child's perspective. While many of the images in the exhibition are normally associated with childhood happiness, others implicate issues of violence in society and cultural identity. While adults tend to associate toys with happiness and enjoyment, they also can be very unsettling. Dolls can teach stereotypical gender or cultural identities, as David Levinthal reveals with his Barbie doll photographs. Cartoon characters can appear monstrous. The holes piercing Joyce Pensato's Minnie Mouse and the looming presence of Gottfried Helnwein's Mickey Mouse, for instance, evoke the brutality of animated cartoons. |
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| > | San Francisco Museum of Modern Art | |
| THE DARKER SIDE OF PLAYLAND, CHILDHOOD IMAGERY FROM THE LOGAN COLLECTION Heather Whitmore Jain Curatorial Associate, San Francisco Museum of Modern Art Helnwein's "Mickey I" at the SFMOMA (excerpt) Other works in the exhibition present the dark side of cartoon characters. The prevailing narrative structure of many cartoons is a cycle of one's character's unrelenting attacks on another. Yet the violence of these scenarios is subverted and humor achieved by the lack of any permanent injury to the victim and the gleeful nonchalance of the adversary even during the most aggressive assault. Static representations of wounded or menacing cartoon characters can expose the violence and eliminate the humorous punch line. In Gottfried Helnwein's painting Mickey (plate 24), Mickey Mouse's physical features, which usually contribute to his appeal become a thin veneer of looming attack. Blown up to a monster scale and rendered in an austere gray palette, Mickey's smile is deceptive. |
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| > | PRESS RELEASE: SFMOMA EXPLORES THE NAUGHTY AND THE NICE | |
| Third Logan Rotation Probes the Darker Side of Playland With ironic images of toys and cartoon figures, a number of contemporary painters, photographers and sculptors take incisive aim at the emotional underbelly of childhood in The Darker Side of Playland: Childhood Imagery from the Logan Collection, on view at the San Francisco Museum of Modern Art (SFMOMA) from September 1, 2000, through January 2, 2001. Explaining how these representations question deeply rooted social mores, this exhibition includes over 30 playful and wicked works-drawn from the collection of Vicki and Kent Logan-by such contemporary artists as Gottfried Helnwein, David Levinthal, Takashi Murakami, Yoshitomo Nara, Laurie Simmons and Hung Tung-lu. As Kent Logan states, "Of the themes in our collection this exhibition will explore is what I like to call 'Children's Hour.'" |
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| > | The Logan Collection - Denver Art Museum, Modern and Contemporary Art | |
| Kent and Vicki Logan donated over 200 artworks to the Denver Art Museum's Modern and Cpontemporary Art department. | ||
| > | "Face it" Gottfried Helnwein, Lentos Museum of Modern Art | |
| > | Arkansas Arts Center celebrates Gottfried Helnwein | |
| > | "SOUL" - Museum of Modern Art - Ostende (PMMK ) | |
| Curator Van den Bussche | ||
| > | "In Limbo" - An exhibition of works from the Denver Art Museum | |
| An exhibition of works from the Denver Art Museum’s fractional and promised gift of contemporary art from the collection of Vicki and Kent Logan. | ||
| > | Galeries Nationales du Grand Palais - Paris, Neue Nationalgalerie, Berlin | |
| MÉLANCOLIE, GÉNIE ET FOLIE EN OCCIDENT Melancholie- Genie und Wahnsinn im Abendland 13. October 200507. May 2006 |
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| > | Los Angeles County Museum of Art - LACMA | |
| > | Ludwig Museum Schloss Oberhausen - Gottfried Helnwein – Beautiful Children | |
| Vom 19. Juni bis 2. Oktober 2005 zeigte die Ludwig Galerie Schloss Oberhausen mit den Kinderbildern das zentrale Thema des umstrittenen Künstlers. Und auch mit dieser Ausstellung überschritt Helnwein erneut Grenzen und polarisierte, indem er das Kind nicht als unschuldiges und liebenswertes, sondern als verletztes, entblößtes, gedemütigtes und misshandeltes Wesen darstellt. | ||
| > | Museum für Neue Kunst - ZKM - Zentrum für Kunst und Medientechnologie Karlsruhe | |
| Heike Borowski Künstler der ZKM_Sammlung Andreas Gursky | Maria Hedlund | Klaus Heider | Gottfried Helnwein | Sylvia Henrich | Georg Herold | Volker Hildebrandt | Gary Hill | Teun Hocks | Antonius Höckelmann | Karl Horst Hödicke | Candida Höfer Gerhard Hoehme | Carsten Höller | Rebecca Horn... |
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| > | Museo de Arte Contemporáneo de Monterrey | |
| The Essl Collection of Contemporary Art AUSTRIAN CONTEMPORARY ART AND POST-WAR PAINTING: THE ESSL COLLECTION Group Show The Museo de Arte Contemporáneo de Monterrey presents the exhibition Austrian Contemporary Art and Post-war Painting: The Essl Collection, a seminal encounter with the most commanding pictorial propositions engendered in the second half of the 2Oth century. Gottfried Helnwein digresses from fleeting contemplation with his Self-portrait: the canvas on display prompts an immediate, impulsive reaction... |
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| > | Wäinö Aaltosen Museo | |
| Gottfried Helnwein, Retrospective 2.10.-22.11.1998 Wäinö Aaltosen museon syyskausi alkaa itävaltalaisen Gottfried Helnweinin (syntynyt 1948 Wienissä) näyttelyllä. Esillä on 1900-luvun yleisen ja yksityisen historian kipupisteisiin porautuvia suurikokoisia maalauksia, valokuvia nykypäivän kulttuurin merkkihahmoista Andy Warholista Keith Richardsiin sekä piirustuksia, akvarelleja ja sekatekniikalla toteutettuja teoksia. Helnweinin taide on levinnyt yleiseen tietoisuuteen mm. julisteiden muodossa. Hänet tunnetaan myös Life- ja Time-lehden kansikuvista. Helnwein käsittelee teoksissaan uskonnon ja yleisen moraalin vaikutusta lasten ja vähemmistöjen asemaan sekä esimerkiksi Itävallan ja Saksan natsimenneisyyttä ja sen aktiivista unohtamista. Ahdistava arvomaailma tulee esille niin hänen omakuvissaan kuin psykologisesti tarkoissa tutkielmissaankin. |
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| > | TORINO FOTOGRAFIA '89 - III Biennale Internazionale di Fotografia | |
| 19 OTTOBRE - 19 NOVEMBRE, PROMOTRICE DELLE BELLE ARTI L'edizione, curata da Daniela Palazzoli, è ospitata alla Promotrice delle Belle Arti, e assume particolare importanza perché coincide con il 150° anniversario della nascita della fotografia. Precorrendo di gran lunga i tempi nel panorama culturale italiano, l'edizione afferma il valore artistico della fotografia, accostando alla sezione storica e moderna, una ricca sezione contemporanea dove vengono presentati i lavori, tra gli altri, di David Hockney, Clegg & Guttmann, Gottfried Hellnwein, nomi già affermati nel campo dell'arte. |
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| > | "Irish and Other Landscapes", Gottfried Helnwein, Crawford Art Gallery, Cork, 2004 | |
| > | Angels sleeping - Gottfried Helnwein in the Rudolfinum Gallery, Prague, 2008 | |
| www.prague.net | ||
| > | Collection du Musée de l'Elysée, Lausanne | |
BOOKS |
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| > | FACE IT - THE NEW HELNWEIN BOOK | |
| Lentos Museum of Modern Art, Linz Verlag Christian Brandstätter, Wien, 2007 |
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| > | Amazon: Face it. Gottfried Helnwein im Lentos Museum of Modern Art, Linz | |
| Essays von Thomas Edlinger, Stella Rollig und Nava Semel - Gebundene Ausgabe Amazon-Preis: EUR 39,90 |
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| > | Helnwein, Wer ist Carl Barks - at Anazon.de | |
| von Gottfried Helnwein, Broschiert - 293 Seiten - Neff, Bayreuth, Erscheinungsdatum: 1993 ISBN: 3811853414 |
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| > | Helnwein, Der Untermensch, Self-Portraits 1970-1987 - at Amazon.de | |
| Gebundene Ausgabe: 176 Seiten Verlag: Ed. Braus, Heidelberg (1987) Sprache: Deutsch, Englisch, Französisch ISBN-10: 3925835075 ISBN-13: 978-3925835070 |
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| > | Helnwein bei www.amazon.de | |
| Bücher > Film, Kunst & Kultur > Fotografie > Berühmte Fotografen > Gottfried Helnwein | ||
| > | Gottfried Helnwein im Gespräch mit Andreas Mäckler - at Amazon.de | |
| Taschenbuch: 191 Seiten Verlag: C.H. Beck Verlag (1. Januar 1992) Sprache: Deutsch ISBN-10: 3406340571 ISBN-13: 978-3406340574 |
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| > | Helnwein, Monografie, State Russian Museum, Sankt Petersburg, 1997 - at Amazon.de | |
| Gebundene Ausgabe: 424 Seiten Verlag: Könemann (Dez. 2001) Sprache: Englisch ISBN-10: 3829014481 ISBN-13: 978-3829014489 |
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| > | Donald Duck... und die Ente ist Mensch geworden. Das zeichnerische und poetische Werk von Carl Barks - at Amazon.de | |
| Gebundene Ausgabe: 144 Seiten Verlag: Kunstmeile Krems (März 2007) ISBN-10: 3902407042 ISBN-13: 978-3902407047 |
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| > | Helnwein - Face it, Lentos Museum of Modern Art - at Amzon.com | |
| Hardcover: 225 pages Publisher: Lentos Museum of Modern Art, Linz; 1st Edition edition (2006) Language: English ISBN-10: 3902510390 |
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| > | Helnwein, monograph, State Russian Museum, Sankt Petersburg - at Amazon.com | |
| Hardcover: 424 pages Publisher: Koenemann, Cologne, 1999 Language: English, German ISBN-10: 3829014481 |
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| > | Helnwein, The Child, Fine Arts Museums of San Francisco - at Amazon.com | |
| Hardcover: 150 pages ublisher: The Fine Arts Museum of San Francisco (2004) Language: English ISBN-10: 0884011127 |
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| > | Helnwein, Ninth November Night, Museum of Tolerance, Simon Wiesenthal Center - at Amazon.com | |
| Paperback: 84 pages Publisher: Museum of Tolerance, Los Angeles (2003) Language: English |
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| > | Book search - Books by and about Gottfried Helnwein | |
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